Wednesday, August 14, 2019

Hitler's Tasters - a signal sounds, a trio of flaxen haired girls stand by their chairs around a table, they extend their arms, darkness, two dark clad girls highlight the scene with torches, darkness, lights up, the girls are seated and miraculously food has appeared in front of them.  This is the snappy beginning of the story of young women who have the honour of tasting food from Hitler's kitchen before it's served to him in case it's poisoned.  The show is never less than snappy. While they wait to see if they are going to die and while they wait for the next meal they chat, they bicker, they take selfies (one of the delighful anachronistic touches in the play), they dance and discuss forbidden dreams of Hollywood film stars.  One of their number disappears (suspiciously Jewish looking nose), she's replaced, another one goes (father is reported to have deserted).  Ecstatic delight at a rumour that the Fuhrer will visit.  Will he bring his dog Blondie?  Will they be able to take selfies with him? It's a bright and lively production with bundles of energy, super costuming, great performances, great fun.

Dreamtalk and Devotion - twenty years ago Sheena McDonald the journalist and broadcaster was hit by a police van and suffered severe brain injury.  In collaboration with her husband Alan Little, also a journalist and broadcaster, and Gail Robertson, the neuropsychologist who shared in the task of her rehabilitation she has written Rebuilding Life after Brain Injury.  The discussion of the journey from intensive care to fully functioning was fascinating.  Recovery was clearly very difficult and placed great strains on those around her, not least Alan but the discussion was enlivened by numerous humorous anecdotes.


Analysing the Brain's Functions - Ever since reading Gilbert Ryle's The Concept of Mind at university I've been fascinated by the workings of the brain and its products, our minds and personalities.  This session dealt with two books pandering to that fascination, Unthinkable by Helen Thomson, a science journalist and The Heartland by Nathan Filer, a former mental health nurse.  Both offer examples of the problems people live with.  Thomson focuses on odd and even amusing  case studies whereas Filer I think is more concerned with how we "normal" people should look on the schizophrenics amongst us.  I'm already reading Unthinkable.

Adam Smith: The Invisible Hand - a dramatisation of the life and work of Kirkcaldy's greatest son performed in the house he spent the last decade of his life in.  The 17th century building has been beautifully restored to commemorate Smith and to act as a learning centre.  The play is performed in an elegant room suitably furnished for the purpose.  The room was full.  Indeed the show had been overbooked so that extra chairs were dragged in before it could start.  The stage lights were strong, The room grew hotter.  I lasted through Smith's early years, his meetings with Rousseau and Voltaire and then dozed my way through the rest.  It was probably first class.

 Steve Reich Project - a solitary dancer, tall and elegant, creates angular shapes as she ranges  athletically over the stage while a string quartet plays Reich's wonderful music.  A microphone hangs over the centre of the stage dangling close to the floor.  The dancer uses the mike and its cable, sings into it, sets it swinging and limbo dances under it as it sweeps across.  The string quartet who are initially ranged in a line down one side of the stage become part of the dance.  They are moved by the dancer into different formations.  She picks up a music stand and drives the player forward with it.  So simple, so elegant, so precise.  The whole show is wonderful. 

Novel Views of Africa - another of my fascinations is with Africa.  Chigozie Obioma discussing his An Orchestra of Minorities and Namwali Sepelle her The Old Drift.  The latter seems destined to be the great Zambian novel.  It combines the intertwined sagas of three white, brown and black imaginary families over three generations with historical truths, magic realism, and a dash of science fiction. The story is fequently narrated by a swarm of mosquitoes.  Obioma's novel too uses a non human narrator, in his case a traditional Ibo spirit called a chi.  I've added both to my mental wishlist. 

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