My pigeon is growing. The adults leave it alone most of the time now. I suppose they are off looking for worms to stuff down its gullet.
Amazon it seems to me used always to send stuff to me by Royal Mail but this week they used something called Amazon Logistics. I think that's just an umbrella term they use to conceal the actual carrier. Anyway the one who came to me must have applied the logic in the name to his task and decided that although the two little packages he had would have passed easily through the letterbox they were not letters. So he put a card through my letterbox (stretching the definition a bit) and left my packages with a neighbour. My neighbours are not usually in at 1pm but this chap works shifts and was at home. I was also at home in fact so either I'm getting deafer with time or he knocked very quietly.
I complained to Amazon about the stupidity of the affair and got an email that gave every sign of having been written by a human being who had read my missive. Either that or they've got hold of some very clever email analysis software, perhaps from GCHQ.
The Lyceum finished their season with a sparkling production of a play by Goldoni and having just been the Teatro Goldoni (not to the show that was on, it sounded dire) and the Goldoni Museum (hardly worth the 5 euros entry) I felt I couldn't miss it and I'm glad I didn't.
In The Venetian Twins the eponymous duo arrive independently and unknown to one another in Verona, one fleeing from justice and the other to marry a lady he has never met. The other characters, who aren't aware either that there are twins around continually find themselves in situations in which they believe they are dealing with one twin when it is in fact the other. Much confusion and entertainment results.
The adaptation into very Scottish English abounds with humour of the seaside postcard variety, but also has some keenly satirical fun with early feminism and male pomposity. There's slapstick and the engagement of the audience in pantomime fashion (less the community singing I'm glad to say). It all adds up to a splendid entertainment.
The SCO and chorus gave a totally different but equally splendid entertainment in the presentation of Haydn's Creation. I hadn't realised before that this is a relatively lighthearted work, far away in spirit from the serious religiosity of the cantatas of Bach for example. It was sung in English and sung very clearly by both chorus and soloists so there was no barrier to understanding and the soloists made the most of the elements of humour in the piece. I'd heard it once before as music behind a ballet in Rio but I don't recall a feeling of lightheartedness in the dance or the music. I expect that was a failing of sensitivity on my part. If it's not spelt out in bold caps I'll miss it.
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