Cheese figures too in The Caucasian Chalk Circle when Azdak, sheltering the fleeing Grand Duke (though he doesn't know it) gives him a lump of cheese and advises him to "look at it mournfully - because it's already disappearing - like all good things".  But at least he gets to eat it.

Azdak is one of the parts I've most enjoyed playing and seeing the Lyceum's fine production in the company of other veterans of The Grads 2006 production brought back pleasant memories.  My memory wasn't perfect because I only remembered that I'd also played another role when I saw the character on stage and I signally failed to remember another one even when he appeared and had to be reminded of it afterwards.

There was lots of lively music in CCC and for an entirely different but equally spirited genre I was back in the same theatre the following evening for a wonderful concert organised by Jazz Scotland  featuring Ravi Coltrane, son of the great John, and his quartet. They were preceded by New Focus, a Scottish quartet led by Konrad Wiszniewski and Euan Stevenson. 

Jazz is a very broad church with many styles.  Ragtime, dixieland, swing, hard bop, acid jazz, fusion and free are amongst the plethora of sub-genre names that rear their heads in writing on the subject.  I don't rightly know what to call what I heard from those players but it was very much today's jazz from both groups.  Perhaps with a sweeter more contemplative accent from the Scots compared to a grungier more urgent tone from the Americans but that's a broad characterisation denied by examples from either side. The best thing is to listen to it and not bother about the taxonomy.

Joe Temperley and Brian Kellock will undoubtedly provide equally wonderful music tomorrow but it will be more firmly linked to the former's long and distinguished career with the great bands of the 60s and his sojourn in the Jazz at Lincoln Center Orchestra.