Readers will see that the previous post gave rise
to a comment which, inter alia, takes me to task for the infrequency of my postings. That’s fair and I again promise to do better but I can’t help thinking that it is the finger of irony that points out that I have not yet shared with you the story of the warped table.

The table whose arrival I have already reported was fine until after a few days the central portion of the top started to curl at the edges. After a few more days it rocked when you put your elbows on it; bad manners I know but a tabletop should be able to cope. After a week lots of daylight was clearly visible between the top and the frame, as you can see in this picture.

I went off to Habitat to complain. They were as good as gold and promised me a new one without hesitation. I admit I was relieved because I had not relished an argument over what degree of warping might qualify as acceptable in their eyes.

Lo and behold after a few more days the table started to uncurl. By Saturday last it had reached a state I felt was ok so I popped into Habitat on my way to the Lyceum and cancelled the replacement. I suppose it was just coming to terms with its new environment.

I was on my way to the Lyceum to join a Grads group going to see Schiller’s Marie Stuart. I was disappointed. I liked the austere setting but the cast failed to move me. Years ago in Kitwe I was in a production of the play that I hope communicated more emotional intensity than this one did. Of course it may have been the Heisenberg principle at work so that I cooled it down while it stayed on the boil for others.

Though I can’t remember too clearly I think we had an on-stage execution which was surely more fun to watch than the genteel procession down a stair to offstage oblivion that the Lyceum gave us. And doesn’t history tell us that she went to her death in a blood red robe? I’m sure our Mary slipped off an outer garment to reveal a red robe as she mounted the scaffold. The Lyceum gave us a trace of red peeping out under a white dress.

Here’s what one site has to say on the subject. Points for historical accuracy to Kitwe I’d say.

Much more engaging was the production of Shadow of a Gunman by Sean O’Casey that I saw at the Citizens in Glasgow the previous week. The final scene that leaves the tenement room and its inhabitants looking like a shipwreck to which humanity barely clings was brilliant.

I’ve also seen some art recently, and been to Red Road, the film that won plaudits at Cannes and lots of Scottish Baftas. It was good but must surely have had little competition to win so many.

Hallowe’en is long past now but I revived my fifty year old skills in tumshie lantern carving and dressed up to go to Claire’s party where we were treated to delicious but foreign fare in the way of pumpkin soup.

Back home there is still nothing soft to sit on but my shelves are up. The few books I didn’t give to Christian Aid last winter are in place and all my CDs are sitting comfortably waiting for me to invest in a player. Yes I’ve given that away as well. It was rather old and getting a bit noisy and what’s almost as important was too bulky for my slimline shelving.

The Caucasian Chalk Circle is almost upon us. The technical rehearsal last night was lots of fun. That’s the first chance lights and sound have to practice their art and the actors get to blunder around the stage. It may seem a bit shambolic to the outsider – “Do you see that sky getting red over there?” It says “Yes” in the script but I hate to lie. By some miracle though it will all be sorted out by opening night. We have the luxury of two dress rehearsals, mitigated somewhat by the fact that not all the cast can do both.

I was provided with handcuffs last night for one scene but they’re flimsy plastic gadgets which don’t look convincing and which I’m bound to break so I bought a length of chain this afternoon to add weight to the performance. It will be handy for the director to beat us with if we fall short of her artistic vision.