Coming home from a lovely meal at Telford College's Zero One restaurant the other night, made even lovelier by it being Nick's treat, I greeted an Indian gentleman who was leaving the ground floor for the basement as I approached the lift.

This is what met my eyes when the lift door opened. I stepped in and snapped then stepped back out of the lift whether to snap it from another angle or to ask the chap if he hadn't perhaps forgotten his chapattis I am not sure but the door closed and lift and contents vanished from view.

I jabbed at the button but the lift did not respond. It whirred on a journey up and down the shaft ignoring my persistent finger.

I could hear male and female sub-continental voices exchange incomprehensible remarks until silence fell broken by a descending whirr and a final clunk as the lift came to rest revealing only a trace of its former burden.


25kg of chapatti flour had disappeared in a mechanised form of Indian rope trick.

Collage of a happy holiday weekend near Cupar.

One gets used to miles of traffic cones on motorways with nothing very much in evidence to explain why they are there. Now this phenomenon has spread to the pavement in Princes Street.

Watch this space.

The team who swept to victory with 4.48 Psychosis on Saturday night. Does this garment belong to one of them or to one of their followers or has the litter lunatic penetrated as far as my bathroom?

Ndebele has closed down.

Ag pleez Deddy where will we get our biltong now? (with apologies to Jeremy Taylor).

This is the mini demo that met my eyes when I went to the City Chambers to sit in on the planning committee deliberations on the Caltongate development.

There has been a great deal of polemic over these plans. You can read the rosy view of the developers (don't miss the amazing movie) or the black views of the protestors or in search of undoubtedly partial but less visceral plaints see what the Cockburn Association has had to say.

Whatever you do you'll find it hard to make up your mind. Most of it is being built on the ground previously occupied by a bus depot. No loss there methinks. Some of it entails the demolition of existing buildings. This will go.
Built as an infant school in 1901 I wonder if there were protests about what had to be done away with to allow its construction? It's not a school now and I believe that provision is being made for its current functions to be carried on elsewhere in the area but still you'd like to think it might have been incorporated somewhere.

One of the more bizarre complaints I read in the comments in the on-line Scotsman was that Scotland's northern latitude dictated the need for wide streets and low buildings. Not I think a characteristic of Edinburgh's Old Town. Sydney Goodsir Smith called the Canongate a canyon not a boulevard.

In the three hours I attended there was a lot of discussion and some highly vocal protests from the public benches. "Money grabbing gits" or some similar remark met the approval of the sub-division of the planning application relating to the hotel.

The planning committee as a whole however had few doubts and voted most of it through. Next stop is referral to the Scottish Executive. What with Trump's golf course and this they'll be brought down to earth after yesterday's budget triumph.

Personally I like the overall ideas and the layout of the various elements but I'm not too keen on the look of the buildings. If we are going modern I'd prefer them to be more exciting, more daring, mould breaking - more Scottish Parliament than Victoria Quay.

Maybe they'll grow on me, if they ever get built.

Passing through a close off the Royal Mile the other day I came across three winos chewing the fat and overheard one declare "thae effin Poles are takin aw the guid pitches".

Now as we all know the recent wave of Polish immigration is composed entirely of hard-working and charming young people of good character whose presence has revitalised the Scottish economy and reinvigorated the Catholic church.

I understand that it's thae effin Romanians who are spoiling things for our industrious indigenous beggars, or is it the other way around?

For some time I've been laboriously scanning and cleaning up a batch of photographs that I took on holiday in Morocco in 1989. I've finished them at last and have linked the album to my Life of Brian website but they are also accessible from here:

Morocco89

Over the last several months these machines have been appearing at bus-stops throughout the city and now one has made it to my stop.
According to the Lothian Buses website they have been a great success and are very popular but so far I have not seen a solitary soul make use of them. I don't find that surprising given the list of things this machine does not do. It does not:

• take credit or debit cards
• take banknotes
• give change
• allow you to overpay by more than 20p
• dispense more than one ticket per transaction
• give a ticket for tomorrow or even much later today - get aboard in 40 minutes or else

Now I'm all in favour of off bus ticketing but it has to be a bit more sophisticated than this. Think of a family of four having a day out in Edinburgh. Currently that's nine quid but to get those tickets they have to assemble a bucketful of coins and conduct four transactions. Have the bus bosses never set foot on the continent?

Just wait till you are 60 folks, no problem then.

I have just received my first dollop of state pension. My old auntie, and many like her, enjoyed the thrill of going down to the post office every Thursday clutching her pension book to collect a sheaf of notes and a handful of shining shillings then running the gauntlet of muggers who hung about waiting to snatch the handbags of defenceless old ladies until she reached the safety of her council flat where she would stash the dough in a tin box hidden in the cupboard under the sink. Every so often she would grudgingly peel off a fiver or two and totter along to the gas board or whoever to pay a bill.

The gas board office has gone and it seems that the post office will not be far behind so it's just as well that I'm a fully paid up member of the electronic banking community. The pension will dribble into my account every four weeks and the gas bill will debit its way directly out.

Now along with the notification of first payment came a little leaflet (BR2215 12/05 for those who like precision) with an injunction to read it carefully. Naturally, not having a job to go to, I found time to do so.

Mostly it tells you about circumstances which you must report to big brother Brown's pension police. Now, although I suppose I might get married it seems unlikely that I will go into foster care. (I'm too old for that surely?). I'm happy to tell them if I have a transplant especially if it means I get the donor's pension added to mine, though if I end up in residential care I'll let the sods who put me there handle the admin.

But the leaflet also says:

Tell your Pension Centre if.......
you leave the United Kingdom(UK) for 3 months or more
The UK is England, Scotland, Wales and Northern Ireland

elsewhere it says:

Tell your Pension Centre if.......
you intend to leave Great Britain for more than 4 weeks
Great Britain is England, Scotland and Wales

So I can't live it up in Belfast for 29 days without letting on. Strange restriction in a free country.

Why do they want to know anyway? You kind of suspect an ulterior motive, like not giving you any money. So I sought clarification in the FAQ of the Pension Service website.

To quote (I've left out some of the fine detail) :

What happens if......

I go to live abroad or visit?
Contact The Pension Service as soon as you can to let us know you are going abroad.

You can continue to get your State Pension anywhere in the world. (deletions)

I go abroad for 3 months or less
If you have your State Pension paid into an account, this can continue. (deletions)

I go abroad for between 6 and 12 months
If you have your State Pension paid into an account, this can continue. (deletions)

I go abroad for 12 months or permanently
We can pay your State Pension straight into your overseas account in some countries. If this is not possible or if you prefer, we can pay your State Pension into a UK account (deletions)

So nothing changes then, unless it's in the Bermuda triangle between 3 and 6 months.

I suspect I shall save myself the expense of a stamp next time I set off for France.

Here's what you may feel is an unsympathetic review of two plays that I suffered through on Friday but believe me the guy is bending over backwards to be polite.

Unconvincing works fail to break the ice

A good news litter report for a change.

I came in the other afternoon through a heap of litter at the back door and made a mental note to clear it up when I went out in the evening. So a couple of hours later, armed with a plastic bag I headed out.

To my astonishment and delight the litter had gone.

After the festive season back to life with a bang yesterday at Scottish Ballet's Sleeping Beauty.

I thoroughly enjoyed the show. Apart from anything else the music and the costumes are both gorgeous. I was puzzled at the end of Act 1 that bows and arrows were being destroyed, but, dozy me, had forgotten and, dozier me, had failed to pick up from the action that Sleeping Beauty falls asleep in the first instance because the bad fairy's curse exposes her to danger from pricks. Plus ça change.

In the Rose Adagio Ashley Page's choreography makes things easier on the ballerina than the twirling on one point that I saw Darcey Bussell do on the tele recently and according to the Guardian review gives it the air of a brothel scene. None the worse for that say I.

Today I enjoyed recognising Edinburgh locations in Hallam Foe and I was entertained by the film as well, though it's an odd little tale that doesn't seem sure whether it's a psychological thriller or a romantic comedy. Perhaps it's two for the price of one.

After the film I rushed off to rehearse 4.48 Psychosis. This was our second rehearsal but the first to set out the blocking. Claire has devised an intriguing presentation combining classical statuary, clinical detachment and brooding menace. I hope we can find a way to deliver the text that lives up to her imagination. Speaking for myself "The hair might go but the dream remains".

I'm used to finding all sorts of litter when I come home but this is a bit out of the usual. Admittedly it's New Year. I'd just come from an excellent party given by Claire and Russell where we had fêted the season unrestrainedly and loosed rockets of terrifying beauty from Portobello beach into the upper regions of our lovely planet.

This was potentially a pain in the neck - ambulances, police, whatever. I checked his breathing - regular and as normal as you'd expect from someone asleep. I tried valiantly to wake him without success. I decided he was in a drunken stupor rather than on the point of death and left nature to take her course.

We've now got a movie-maker in the family. Ewan has produced this charming little video starring some of my frequent summer visitors.

A package came through my letterbox a few days ago and by virtue of its timing has been declared a Christmas present and a most unusual one at that.

In the summer of 2006 Chus and Eduardo, Spanish friends of mine, came to France with a group of their friends for a fortnight's holiday in the Creuse. I spent a fair bit of time with them and recorded some highlights in my blog.

But Antonio went a lot further. He has produced 74 A4 pages of text and sketches celebrating those two weeks and that's what Chus has sent me. I may offer you extracts from time to time. For starters here are the drawing that decorates the cover and the paeon to the Creuse that opens the story.

UN PARAÍSO PERSONAL

Del explendor de un bosque,
de unas estacas hiladas,
de un mar de moras
y otro de hierba fresca.
Del explendor de un horizonte azul,
apenas despejado ante las nubes,
de las sinuosidades,
de las curvas del camino,
de aquel recodo de 180 grados
donde no pusieron la cruz
ni las señales amarillas.
Sí, todo da igual.
Pasamos nosotros
entre las piedras grandes,
comidas de musgo verde.

LA CREUSE

Alan came up from Manchester to help celebrate my birthday and stayed on for a couple of days. We visited various exhibitions together while he was here. The show of Joan Eardley's work at the RSA is wonderful. I love her paintings of Glasgow children. From the quick colourful chalk on sandpaper portraits of the faces of individuals to the much more elaborate groups in collages that incorporate elements of their environment you can feel their personalities bursting out.

It's fascinating too to look at the photographs of these kids in the east end of Glasgow that she used to help her portraiture. No wonder the city council wanted to raze those tenements to the ground and build decent homes for the post-war generation.

For something rather different we went down to the Botanic Gardens. In truth we went there to enjoy the gardens but there were a couple of exhibitions on in Inverleith House, the former home of the National Gallery's modern collection. They stick to a modern remit and currently are showing imitation girders mounted at decapitating height in a number of rooms. In the absence of attendants protecting the work (draw your own conclusions) I sneaked a picture.

The show in the basement was much more fun. It consisted of a small display case of odds and ends, a couple of posters and an excellent sequence of music videos inspired by and celebrating the works of a few contemporary artists including Peter Blake and Louise Bourgeois.

A songsheet was available so you could sing along with the video. In one mad moment Alan danced along as well. That may have been in the absence of other punters. We stayed a while but most punters did not dally. A man entered the room as we left it but still managed to catch the same lift as us back to the ground floor.

The Botanics have been familiar to me since we used to take the kids there in the sixties and I still think the best view of Edinburgh is from the lawn in front of Inverleith House. I've snapped it a number of times and did so again on Sunday. Playing with the picture in Photoshop I somewhat serendipitously produced the background image for the title of this blog. I'm rather pleased with it.

All that culture vulturing is hungry work and I'm glad to report that the cafes in the Portrait Gallery and in the Botanic Gardens provided us with excellent sustenance.

My birthday celebrations have always felt short-changed, falling as they do on the winter solstice. This year, the 65th in the series, their share of daylight was indeed short but they were particularly sweet after dark.

My very good friend Claire insisted that she should book a table for the small dinner party that I had planned. Clearly a giveaway that something was afoot since she has to fit things like that into interstices in the working day while I have the leisure to spend hours finding things to do to fill the self same hours.

Part of her plan was revealed when I set about arranging another dinner for a group of old school friends. They it turned out were destined to be surprise guests at the first dinner. Not that they spilled the beans - rather my sons decided that there was a danger of too many dinners spoiling the party.

So when I got to the advertised pre-dinner drinks at the Traverse it was no surprise to see the old school friends but a larger group of Edinburgh based friends had also been called up for service and that was unexpected.

The meal was good, the company was excellent and the surprise though not complete was sufficiently exciting to make this a birthday to remember.

Come out from under that hair Claire and take a bow.

This is one of my favourite walks: the Radical Road in Holyrood Park. It gains its name from association with the disturbances of 1820 that were as close to a revolution as we ever got before Walter Scott wheeled in George IV in his kilt and pink tights two years later effectively turning the spirit of insurrection into cheers for the tartan flavoured monarchy.

I followed it for the first time in ages the other day to get a breath of fresh air. The views were superb, even in the dull conditions that prevailed. Here we are looking over the south side of the city with the Pentlands vaguely visible through the mist and cloud in the top half of the picture. I carried on along the tarmac road that goes up the hill and cut down above Duddingston Loch to the Sheep's Heid for a refreshment.Astute readers will have noticed that the advertised title of the pub has no apostrophe s but it's always added in speech, just as we talk of St. Andrew Square as if it belonged to him.

I had coffee with some friends the other day and collected a box of odds and ends belonging to me that has been cluttering up their house for the last several years. I had rather forgotten it but on being reminded remembered that it held such treasures as a PC keyboard with Arabic characters that I bought in Egypt when I was convinced that nothing much stood between me and mastery of the Arabic language. How wrong I was. It's beautiful, intriguing, fascinating; but I shall always be its slave rather than its master.

One treasure that I had never seen before was a set of six CDs being the second half of a twelve volume set of the songs of Robert Burns that I subscribed to a decade or so ago. The second half pitched up while I was abroad. I've been listening to them with great pleasure over the past couple of days. It was a splendid initiative of Linn records.

I decided at the beginning of the 21st century that physical Christmas cards were old hat and that henceforth I should send only ecards. I've not lived up 100% to this forward thinking decision but I try and have just finished creating this year's card. For those of my readers not in my email address book here it is: